These lyrics contradict the MV as well, because what’s happening on screen does not match what is being said. At this point, I was left questioning whether Somi even likes the person she’s trying so hard for, or if she was just bored and wanted the attention from an attractive guy. However, the ending does a 180 and reveals to us that this was her plan all along, to get her crush to fall in love with her and be obsessed with her even when the facade fades. The lyrics in the chorus tell us that everything she does is for her crush as well. Yet when this scene is being shown, we hear the following lines:īefore this, the viewer knows that Somi is only acting a certain way to gain the interest of her crush, much like everyone else when they were in high school. Another time we see her trying to flirt with said love interest is towards the end of the song, where she purposely bumps into him so that she would drop her books, and they would pick them up together in typical teen rom-com fashion.
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This gives us the impression that Somi is playing an awkward teenage girl, trying to learn how to flirt or find an opportunity to talk to her love interest, but is ultimately unable to do so. When we see her make a bold move on him in the cafeteria, we find out that it was only her daydreaming about what she wants to do. During the verses, we see that Somi is trying to act in a way that would capture the attention of her love interest, but fails to do so because she is shy. It opens with Somi as a child, who then transitions into Somi herself, who is now in high school. Elements of the chorus are reminiscent of Sunmi’s “ Gashina” and Jennie’s “Solo”, which do not come as a surprise when you realise that “Dumb Dumb” was produced by Teddy Park, who also produced the aforementioned songs.
The chorus is great, as said before, but it’s not exactly special either. While they sound bright and cheery, they fall flat as they fail to showcase Somi’s vocal talents, and it never really picks up.
The song’s verses and choruses have different personalities, but these verses are not memorable. Although the climatic outro ends the song on a high, it’s pretty short lived, and the listener finds themselves wanting more, simply because it feels as if the song is not done. However, as mentioned earlier, everything is pretty half-baked. The end of the song is the climax, where it switches into an anthem and really picks up the pace, ending the song on a high. Even the lyrics are harsh, with Somi revealing that it was all part of her plan to act differently to lure her love interest in, and that he’s a “Dumb Dumb” for falling for it. The dance scenes that pair with the chorus are also stunning – she’s sexy, seductive, and checks off every box that screams girl boss. Somi’s vocals become more monotonous, but such a stylistic choice only adds to the sleek and mature vibe in the chorus. Dolph was shot and killed on November 17, 2021, at age 36.“Dumb Dumb” has a great chorus – it’s groovy, alluring, and catchy. In 2020, Dolph zoomed out for the moodily produced Rich Slave, which took shots at the intersection of American capitalism and racism while underlining his progress in spite of it all-the ruminative “I See $’s” explicitly lays out his wealth-driven path into pop culture. Ever shrewd and resourceful, he teamed with his trap-rapping cousin and signee Key Glock for 2019’s Dum and Dummer, an unflinching flex of a joint set that followed a string of solo albums documenting his against-all-odds success.
2017's Bulletproof, a minimal-yet-booming LP anchored by the enemy-taunting “100 Shots,” was a response to one of many attempts on his life. His 2014 breakthrough-from the equally menacing and motivational High Class Street Music 4-was “Preach,” a Zaytoven-blessed club anthem about not trusting anyone. in Chicago, 1985, Young Dolph debuted in 2008 with the Paper Route Campaign mixtape, and founded his own scrappily named label to distribute his music, Paper Route Empire. Young Dolph transformed street savviness into hard-hitting rap backed by big bass and ominous production that matched his deep voice and Memphis upbringing.